A Morning at the Museum

Art on a rainy morning, what could be better? While in Chicago, I had a morning free to visit the Art Institute of Chicago. A wonderful place! The first major art museum I've visited since returning back to the US. I enjoyed the opportunity to see some new works of some of the painters I came to appreciate while in Europe, and learn more about American artists as well. The museum allows photos too - a very happy day for me!! My experience of art is always deepened if I can capture it with my camera.

Since I had limited time and I know what periods of art I like, I focused my visit on specific areas. American Modern Art (1900-1950), European Modern Art (1900-1950), and Contemporary Art (1945-1960). I also popped through Contemporary Art (1960 and later), Architecture and Design (special exhibit on Bertrand Goldberg), and Photography (although they were resetting the photography exhibit and most of it wasn't open - sad!).

As always, I was drawn to abstracts with bright colors. Paintings that highlight gradations and transitions between color in unusual ways attract me. A new find this trip was German painter Franz Marc, I loved this painting called The Bewitched Mill. Very much like my favorite Italian Futurists of a similar time. I am always drawn to the art of 1900-1920 or so.

I just loved his use of color! Isn't it gorgeous?

It was also fabulous to see more of Georgia O'Keefe's work in the American section, she has a style that has always appealed to me. I was pleasantly surprised by how large the museum's Impressionist collection was! It was great to see more of Monet's water lilies, and Cezanne's still lifes, among many others. I also very much enjoyed seeing these two paintings by Mary Cassatt. I've seen them before in texts but they are beautiful in person. She had such an amazing way of portraying everyday moments.

I left the museum refreshed and inspired. There is something about art, specifically painting, that just speaks to my soul. What a wonderful opportunity to connect with this again!

Emily, this last one is just for you. (Bueller... ? Bueller... ?)

PS - Lightroom 3 Update: I edited all of these in Lightroom this morning! I've had absolutely no instruction (books are on their way!) but I'm finding it intuitive to use and in some ways much simpler than Photoshop Elements. I will keep you posted as I progress!

A Stack of Happiness

Look at this stack! This is a stack of the happiest, most fun mail you are ever going to see. This is a stack of 112 envelopes for the Liberate Your Art postcard swap! On Saturday, things were sorted out enough in our house that I had the time and space to start going through these envelopes. It just filled me with joy! This is not work in the slightest, but exceptionally fun and inspiring.

Some of the envelopes were completely decorated. I love all of you mixed media artists who find any surface something to create art on! Just look at this one, can you guess where it's from? You would be right!

And here's one from closer to my new home, California. A little bit of art in the mail, anyone?

My blog friend, Kristin, created this envelope from inspiration from this photo I took in Ravenna. Funny thing, I took that photo because I was reminded of Kristin by the snail! Such a fun circle of inspiration that happens with artists sometimes. Too bad the US Postal Service covered up some of her art with their sticker.

Here's one that I didn't want to open, just look at that! I think the dancer stamped on the envelope is definitely Liberating her art...

The stamps were art too! I didn't know I had anyone in Hong Kong participating, what a nice surprise.

And then, opening the packages there were lots of little treats inside. Some were prettily wrapped, like this one from TJ of Studio Mailbox.

I was surprised at how many of the participants included a little something for me. Totally unexpected! Lots of postcards and little notes. Some magnets and little bits of this or that to use for my own projects. Even some chocolate! This was fun mail at its best. Here's a tiny sample of what was shared with me, but I don't want to give away too much, so that you will be surprised by the art you get in the mail!

This was exactly what I needed to inspire me and reconnect me to the creative community after my move. I can't wait for the rest of the envelopes to come in and then to get this art liberated back into the world. If nothing else, everyone liberating all of this art has had a wonderfully positive effect on me!

PS - My blog is now on Pacific Standard Time! I updated my profile location and about me page too. Sorry for the two posts in one day but I'm trying out my new schedule. So far, so good! 


PPS - Linking in to Creative Every Day and The Creative Exchange today. It's good to be back!

My Bags are Packed

I have a song running through my head this morning:

My bags are packed, I'm ready to go... (humming the melody)... I'm a-leavin' on a jet plane...

My suitcase is packed full of painting supplies, and on Wednesday I head to Yorkshire, England for the Do What You Love Creative Enterprise Retreat. This retreat is a combination of art classes and creative enterprise sessions over three or so days. There are three different art class options, and I'm taking the painting class with Flora Bowley - I can't wait!

I've been keeping my eye out for a painting class or art retreat in Europe for quite a while, since 2009 when I got the urge to start painting. I've periodically looked and nothing ever felt like it was the perfect option for me until this retreat came up. I was intrigued by the combination of both art and creative business. When I read the description of Flora's class and saw her work, I was sold. I loved her bright, expressive style and knew this was the class for me. It's ironic that I'm taking a painting class in Europe with an instructor who lives and works only 90 miles from my permanent home in Oregon, but there is also a synchronicity to that too.

What's even better are the connections that I will make with the people attending from around Europe and North America. The UK, USA, Denmark, Germany, Canada, and Ireland are all represented. Many of these are artists I've interacted with online, meeting through Kelly Rae Robert's Flying Lessons course last summer. It will be so much fun to meet them in person!

I could have waited to attend something like this when I move back to the USA, but this one gives me the opportunity to strengthen my connections to Europe through these wonderful, creative people who will attend. After living in Italy for two years, Europe is a part of me now just as the USA always has been. Even though I move back to Oregon in July, I will never truly leave behind my experiences here and will definitely be coming back in the future. The people I get to know will only give me more reasons to come back and visit.

Thinking about creating all of these in-person connections has made me realize just how much I already have gained through the connections I've made on the internet. Every time I connect with someone new in the creative world, whether it's through a blog or a class or an online group, I come out ahead. I've never had a bad experience or a negative situation in this nurturing, supportive, creative environment I've discovered. I think this support is so important to our growth as artists and individuals. I want to help contribute to this supportive network, that's one of the reasons I try to provide ways for others to learn, connect and share - whether it's the Liberate Your Art Postcard Swap, Exploring with a Camera or the Find Your Eye classes. The Mortal Muses support this creative network too. Isn't it fabulous how it all fits together?

I can't wait to see what blossoms out of this retreat, both for me and others. I'm sure I'll come back with even more ideas (which is kind of scary, actually, given the number I seem to be working on already). I'll also have more wonderful connections in the world wide web of the creative community. And that, my friends, is the best thing of all.

(Linking this post in to Kim Klassen's Texture Tuesday.)

Our Birds have Arrived!

Remember the cute little birds my friend, ceramic artist Makiko Hastings, is making to help Japan? Ours arrived this week! We have serial numbers 51, 52 and 53 - a nice little group of three. Each one is unique and different, made with love by Maki.

At her last update, 713 of the birds have been ordered. Do you want to help her reach her goal of 1000 birds to help Japan? It may no longer be the top news everywhere but the people of Japan are still struggling to survive, every day. Visit Maki's blog here to learn more about her project and how you can order your cute little birds to help Japan.

Creating Art with your Whole Heart

Yesterday I read a wonderful blog post from Karen Walrond, author of The Beauty of Different. In it, she talks about heartbreak, and a philosophy that comes from another author, Brené Brown. Brené, she says, tells her she can't be selectively numb. We have to feel both the good and the bad. We need to lead wholehearted lives.

Wholehearted.
Whole hearted.
Whole heart.

I've written before about following my heart. The only way I know how to truly create, is from my heart. My best work, whether it's writing or photography, starts in the heart. It's a feeling I've learned to recognize and follow. Like this morning, with this post. It came from that place of heart.

I didn't always recognize this feeling or know how to follow it. That has come over time, as I've unmuffled the feelings of my heart along my creative journey. You see, in order to avoid facing any pain or darkness in my life, I had numbed myself to the good as well as the bad. It makes so much sense looking back now, that when I was willing to accept both the light and the dark in me, I was also finding and owning my voice as an artist.

We can't have wholeness without dimension. In art, that means light and shadows on a surface, which create a three dimensional form out of two dimensional shapes. In our lives, that means light and shadows in our soul, which create the depth and dimensions of a person. For our best work, we have to come to our art with a whole heart. In order to do that, we have to come at our lives with a whole heart first. We have to unmuffle the tiny voice inside ourselves, so that we can hear both the good and the bad messages. We have to be willing to accept what we hear, no matter how uncomfortable it may be, so that we can learn from it and bring it to our art.

As I think through this, I'm realizing that living with a whole heart is an important key to claiming your artist. When you claim yourself an artist, you put yourself out in a public way, saying, "Here I am world, look what I create!" You open yourself up to the possibility of criticism or rejection. You open yourself to the bad stuff, the stuff you might want to avoid. In this way, not claiming your artist is a form of self-protection. A way to shield your heart from any pain. But in doing so, your heart is muffled and numbed. You won't be able to hear the good messages either. Your art and your ability to create your best work will be affected.

Today, take a quick look at the status of your heart. Are you living with a whole heart? Do you allow the dimension that comes from light and shadow? Are you protecting yourself from potential hurt and pain and in the process numbing yourself to your heart's good messages? If you're having trouble claiming your artist, maybe this is a good place to start. It's certainly been an important point for me to ponder, to reaffirm the desire and acceptance of living with a whole heart, because I want to hear that little voice inside that leads me to create from my heart.

Bits and Pieces

I'm over at Mortal Muses today musing on repeating patterns, a perfect opportunity to share a couple of images of the Byzantine mosaics from Ravenna. I think my favorite mosaics are the patterns that decorate the borders and arches, like this one above. I love how these patterns continue infinitely, and how the artist used light and dark colors to give volume to an otherwise flat shape. All this with pieces of glass!

Many of the artistic principles that make a beautiful mosaic are no different than for painting or photography. It's the execution of the mosaic, however, with its little bits and pieces combined into a larger and cohesive whole that makes it so amazing. All works of art are built up from the combination of bits and pieces, but the mosaic makes this obvious in a way that other art forms don't. Maybe that's what makes them special, what makes me look closer to see the details created centuries ago, with tiny bits of glass. I hope you enjoy today's images, both here and over at Mortal Muses.

PS - Did you miss my announcement yesterday? If so, head on over here and check out what you missed!

Claim your Artist

With everyone born human, a poet -- an artist -- is born,

who dies young and who is survived by an adult.

- Charles-Augustin Sainte-Beuve

This morning I came across this quote in the introduction Julia Cameron's Vein of Gold, the sequel to her amazing book The Artist's Way which I read early in my creative journey. I've had Vein of Gold on my shelf for some time, but it wasn't until this morning that I looked at the shelf and decided to pick the book up. It's time for me to revisit the topic of creativity in more depth.

Within the first few pages, she has already touched on something that I believe at my core: We all have an artist within us. You may not have realized or rediscovered it yet, you may not have claimed it yet, but the artist is there. It's the same artist who approached a new box of crayons with glee when you were 4 years old. The same artist who doodled on your notebooks in junior high. Who brooded over which songs to include to create the perfect mix tapes (er, playlists) as a teenager.

We all create. And a person who creates something, brings something new into the world that wasn't there before, is an artist. I can name you an artist, but that doesn't matter. The only person who can truly name you as an artist is... you.

Julia writes this in the introduction of Vein of Gold: "...you will reclaim your keys to the creative gifts locked within you. You will discover that the keys have been yours all along. This means, of course, that it is not my place to name you an artist. Such power would be lovely, but it does not reside with me. You are the one who must name yourself. You are the one who must seek - and claim - your creative destiny. No one else can do that for you, but you can do it for yourself."

Are you ready to claim your artist? I did, some time ago here, and it was an amazing, empowering experience that has changed my point of view in so many ways. You can too. Come with me as I explore the "art + creativity" part of my personal equation more here in the future. Maybe, just maybe, you'll be able to claim your artist and find your own personal equation along the way too.

My Day in the Sun

This image holds such a warm memory for me. As I shared the other day, I woke up before dawn this morning and watched the sunrise. I loved how the sun spilled over the edge of the mountains and clouds, and was happy to be able to capture the moment. It was such a warm morning, I sat out on the balcony in the sun and wrote my answers for Diana Mulder's interview series "Women Who Create Beautiful Things" which is posted on her site today. You can read about how I ended up in Italy, found my passion for photography, and what's coming next for me.

It was a great experience to do this interview! I was nervous at first to put myself out there in this new way, but answering the questions helped me look at my story from a new perspective. Since I have enjoyed Diana's art and her blog for nearly a year, I felt as if I was talking directly to her as I wrote.

Diana and I met during Kellie Rae Robert's Flying Lessons course last summer, and connected to each other's art immediately. Early on, she had looked at the photographs on my blog and asked me if she could paint this image of my son Brandon on the Oregon Coast.

I had forgotten about it until Diana sent me the list of questions for the interview, and attached her mixed media version of this image. I love what she did with it! She created a wonderful interpretation with the addition of the red and brighter colors. I also love that this painting links our art together, gives us a connection we wouldn't have had otherwise. This is how artists inspire each other!

I hope you visit Diana's blog to read the interview, and then stay a while to look around at her wonderful art! 

Lessons from Abroad: Put Ideas on the Table

Lessons from Abroad: Put Ideas on the Table

[This post is part four in a five part series. See the previous posts here: one, two, three.]

We’ve covered the first lessons from my experience abroad on finding your passion and purpose: Change up your schedule, Find a regular practice, and Get out of your comfort zone. This time I’m going to share a fun and easy lesson: Put Ideas on the Table.

As you begin to see the world of possibility opening up when you get out of your comfort zone, and you begin to receive all sorts of inspiration during your regular practice, you will find that you have a lot of new ideas. You need to put them someplace safe, where they won’t get trampled on. A place where they can be examined but not immediately decided or discarded. That place is “on the table.”

Let me explain what this means by telling you a story....

Early in our time in Italy, the move had definitely inspired my family to look at the world in a different way. As with any change, we were really examining our lives, both individually and as a family, and looking at what might come next. We had this opportunity, this little break from “reality” as I put it, which allowed us to dream up all kinds of crazy scenarios. The problem was, when my husband or I would bring up an idea, it was very easy for the other one of us to feel threatened and quickly point out all of the flaws - how it wouldn’t work for all sorts of reasons.

So during one of these conversations, where I had thrown out an idea and my husband was confused because it conflicted with an idea we had discussed several days earlier, I said, “I’m just putting these ideas on the table. Every so often, I want to pick one up, look at it from different angles, and then put it back on the table. We don’t have to decide right now.”

This concept, of putting ideas on the table, became a huge key for us to be able to really discuss ideas without the emotional attachments or reactions that can crush them too early or drive poor decisions. Let’s examine why…

It takes the idea from being a living piece of you, “your idea”, and makes it a thing, “the idea.” You can imagine it there as physical thing, sitting on a table, like a coffee cup in a store. You can imagine a discussion about it is the same as picking the cup up, looking at it from different angles. Then, you can just set the idea down and leave it there. No decisions or agreements have to be made from the discussion, just like nothing has to be done after you’ve looked at the cup. You’re just browsing. If the conversation starts to get emotional or personal, you can say, “Hey, ideas on the table here!” just to get the perspective back.

Not only does it reduce the emotional attachments we feel to our ideas, it also allows for several radically different and conflicting ideas to be held at the same time. Most of us probably like alignment in our lives. We have plans and like to know where we are going. When an idea that is diametrically opposed to our current direction comes up, it is easy to dismiss it without a second thought because of the disruption it would cause. But if the idea is placed on the table, it can coexist with numerous other ideas that have no relation to each other. You don’t have to think about them all at the same time or choose between them, you look at the ideas one at a time, and then put them back.

Over time, as you periodically examine the ideas, picking them up off of the table every so often, you will find that the ideas sort of magically whittle themselves down. Some of the ideas get dusty, sitting there. Some fall off the table and you never even notice, you just subconsciously discarded them. You might pick them up later, look at them, and think, “Yeah, done with that idea.” Eventually you end up with a few ideas that start to have actions formed around them. The discussion naturally transitions from evaluating the idea to acting on the idea. You may still not be fully committed to it, but you feel these ideas are worthy of more in depth investigation. Just because you choose to pursue one idea doesn’t mean the table has to be cleared off and all of the other ideas thrown away, they can stay there for the future.

This concept works with for you alone as well as with family and friends – any time a new idea comes to you. Here are some thoughts on how to use this to find your passion and purpose:

• First, be clear that you are putting the idea “on the table.” This might mean discussing the concept of “on the table” with your partner or just writing it down in your journal that you are approaching the evaluation of the idea this way. This frees up the emotional attachment, the fear of putting the idea out there only to be crushed. If you are going to use this with other people, I recommend starting it with ideas that are not the about your core – your passion and purpose – to make sure the other person really gets it and will play along. You might need to nurture those core ideas on your personal table for a while so they don’t get crushed too early by others who aren’t playing along.
• Once the idea is “on the table,” feel free to examine it or not as often as you like. It will be there any time you want to come back to it. If you feel yourself obsessing about it, leave it for a while. If you find you are dismissing ideas before you get a chance to get them on the table, consciously acknowledge the idea and then just leave it there.
• Use a physical tool, like sticky notes or a journal to represent the ideas if you want to “keep” them somewhere in the real world along with on the virtual table. I have an idea notebook, where I scribble ideas as they come to me, just to put them somewhere and move them out of my mind. Sometimes, I come back to these ideas naturally, examine them and start to do something with them. Other times, I will only examine them when I flip through the notebook. But they aren’t lost, immediately dismissed to be never thought again.
• If you find yourself starting down the path of action with an idea, either dismissing it or putting it into use, just do a quick check if that is really aligned with your true intention or if you are caught up in the “action trap” where you feel you have to decide in that moment. If your gut check says, yes, it’s time to move on this idea – then move.

The entire concept of “putting ideas on the table” has been a huge benefit for me, my family and anyone I’ve shared it with. Without this, an idea that needs time to grow and mature to be accepted can be killed too early. Or we can commit ourselves too early to ideas that don’t seem so good upon later reflection. The “table” is a safe place to keep them, examine them, and eventually sort them out – moving toward your passion and purpose all the while.

(Photo is from Dubrovnik, Croatia)

Abstraction

In my time here in Italy, as I've explored art history and art museums so much, I've learned to really notice what art calls to me in some way. I've discovered it changes over time, as I change and grow. On this trip to Paris I found myself drawn again and again to abstract art. Art that explores color, form and composition separate from representation of real life. Especially bright, luminous colors. Vassily Kandinsky, Paul Rothko, Sonia Delaunay and Robert Delaunay (pictured here, in the Musee National d'Arte Moderne) were the artists whose works captured me repeatedly.

What does this mean for my art, my view of the world? What does the appeal of color and form and abstraction tell me? I don't know now, but I do know it will show up in some way. All of these explorations become fodder for my own creative endeavors, and the art that calls to me gives me the hint of the direction I will be heading. It should be interesting to see where I go next.

Just Me and Monet

Imagine visiting Musee L'Orangerie in Paris, and seeing these larger than life canvases of Monet's water lilies. Then imagine, for a moment the ebb and flow of people visiting leaves the room empty. Nothing but the natural light filtering down, and the brushtrokes created by a master of light and color all around. Beauty and peace. That happened to me more than once on Sunday morning, as I visited this wonderful place. Just me and Monet.

Be Delighted

Sometimes, when you are following your heart and your creative inspiration, when you just play around, you get to be delighted. Happy surprises appear out of nowhere. This image is one for me. I found this free action for Photoshop (works in Elements too - yay!) through a post on a Flickr group yesterday. I went to run it on another photo I had open, but somehow chose the photo incorrectly and got this one. Happy accident! I loved the result, it made the photo of the carnival lights in Geneva much more abstract and interesting.

Here's the original:

When we get creative, when we play, we have a lot of opportunity for happy accidents. These are what happen when we give up the idea of Serious Creativity with all of the pressure of creating something perfect, something that others will love, something marketable even, and just have fun.

Yesterday my son decided it was an "art day" and (to my neat-freak husband's horror) proceeded to pull out all of his art and craft supplies (and some of mine) and spread them out on the dining room table. I found some artists chalks amidst the wreckage and had fun playing with colors and getting my hands dirty. I call the result "The Color Comet." Here's another recent happy outcome, a painting I did a few weeks ago when I just felt like putting paint to canvas and playing around. Not trying to be an Artist with a capital A, just enjoying the process of creating. I like the colors and the message, it sits on my desk and reminds me everyday to believe in myself. I share these little pieces, not because they are fantastic art, but because they are not fantastic art. They are just the result of creative play. The process of playing around delighted me, so the end result delights me too, if only for the memory of the fun I had. Pastels on my fingers, paint brush in my hand.

So if you have time this week... wait, let me rephrase that... Make time this week to play creatively. Find a fun new action, pull out the paints or the pastels, go through your art and craft supplies and see what your fingers itch to hold. Don't have a plan, just have fun. Be delighted in the result. Come back and share your happy accidents!

The Power of Photography

On our recent travels I've had the opportunity to see a number of photography exhibits. Some of these were planned visits, others I just happened upon, but they all show the power of photography in different ways. I love uncovering and discovering all of the different ways that photography can impact us, deepening our experience in the world around us.

In my visit to the Rosengart Collection in Lucerne, I had the opportunity to see the photos David Douglas Duncan took of Picasso. Duncan, a photojournalist, became friends with Picasso and captured some extraordinary images of ordinary moments in Picasso's life. The thing that struck me was the humor and zest for life that Picasso had, it just comes through in the images of him in his home, interacting with his family and his art. How powerful is that, to capture the artist that created the art, and to get a glimpse of the personality? It makes my understanding of Picasso and his work so much deeper. I don't have any pictures of the exhibit, but you can see many images of Picasso by Duncan on the web here.

As we explored the Swiss countryside around Gruyere, we stopped at the Musee Gruerien folk museum, where they just happened to have an exhibit of the photography of Emmanuel Gavillet, a modern Swiss photographer. The subject was Gastlosen - the Swiss "Rocky Mountains." All black and white, shot with an 8x10" film camera, the images were beautiful in their capture of contrast and texture. The display also showed some elements of the 8x10" camera, which were helpful to explain aperture and film to Brandon, who is fascinated by the workings of my camera and the idea of "film" is completely foreign to him. The images, printed large and on the wall, were powerful. They were images full of quiet grace, showing the timelessness of nature. A reminder that photographs are at their best when viewed large, they are truly art.

The city of Lausanne has one of the first museums in Europe dedicated to photography, the Musee de L'Elysee. The current exhibit is reGeneration2, an exhibition of 80 young photographers (in art school) from 30 countries in North America, Asia and Europe. I was struck by the sheer variety of it all... from people to architecture, from candid moments to studio, from black and white to color, from film photographs to digital collage, even shape (see round photos, in image shown above). Some of the photography I loved, some I didn't like, but it all reaffirmed my belief that we all have a unique vision to show the world. Art is personal, so for every person that doesn't like our art, there is someone who will. We need to keep showing our personal vision, developing our own style. Regain the irrepressible confidence of youth, the belief that you can do anything, that these photographers show.

While wandering the waterfront in Geneva, we ran into a photography exhibit called "Chernobyl: 25 Years After the Catastrophe." Powerful images from Guillame Briquet, showing the area surrounding Chernobyl today. He captured the decay of the human creations and the rebirth of nature left to itself, even in the wake of such a damaging event. What a contrast, against the backdrop of the festive carnival also happening along the lakefront. The most striking images for me were the ones that showed the evidence of lives interrupted. Just left behind. And the saddest part? It was too late for most of the people in the town of Pripyat to survive, since they were evacuated a full day after the accident because of the extreme radiation to which they were exposed.
This exhibit showed the power of photography to teach us about history, to remind us of events of the past and the longer term ramifications. To teach us about what the human ego can do, when left unchecked. Photography has the power to keep the world honest.

Finally, last weekend back in my home area of Milan, Italy I found the exhibit of Alberto Bortoluzzi's 24+1 Cinema Chairs Project. What a delightful find this was! Finding an old movie theater chair in the dump, Bortoluzzi was struck by the disappearance of these chairs for their cushy, higher tech cousins. He began wondering about the stories that old movie theater chairs might tell, and started to find and document these chairs. He then contacted filmmakers for their memories of the cinema and the result is a powerful essay on the history of film, through the images of these chairs and the words of the people who helped create the films. A first for me, I actually made a beeline to the bookstore and purchased the book of the project so that I could enjoy the images and stories at my leisure. Bortolozzi's work shows the power of photography, when paired with stories, to capture something greater than the image itself. To create something wonderful and new.

Photography is amazing, isn't it? We need to move it from the computer screen and onto the wall. We need to experience it larger than life, as a part of our physical environment. If you can, take the opportunity to go see an exhibit in person soon, and share what you learn! As for me, I think I'm going to figure out how to view some of my photos, live and in person.

You've gotta have your "Guys"

Today's post is a bit more of a cultural lesson, something suprising we've learned about living in Italy. Many of the neighborhood businesses around are small family-run businesses. When you shop at the same place a few times, you find that you see the same people, and they get to know you. And a remarkable thing happens when they get to know you, they treat you like an old family friend. They give you discounts, freebies, extra items because you are a regular. And they become your "guys," the ones that you know you can go to and get a warm welcome. You go back even if they don't have the absolutely best food or the best prices, because you are part of things now.

Case in point: Today I went to the art store I always go to in Monza, Colorificio Manzoni, for some new paints and brushes. I first went to this store about a year ago when I wanted to start painting in acrylics. I knew nothing of painting in acrylics, even less of how to ask what I needed in Italian. My English-Italian dictionary was of little help. The owner called his son in (from home nearby, presumably) because he spoke some English and could help me. They got me hooked up, and I've been going to them ever since. They remember me every time, and now I can talk with them in Italian a bit and even know the names for what I want. And every time they add up my purchase, they knock off a few Euros. (Today I stole the paper just to prove it!) They're my art guys.

This is not unique to this store or these guys, that's what is amazing about it. This is Italy. We get heaping gelatos from our gelato guy, at least one size bigger than what we order because he piles it on top. Patrick gets free meat from the butcher at the local market because he knows he's an American and wants him to try something new. Can you imagine that at your local Safeway? I can't. In our giant box store, inventoried and always balancing American culture that just wouldn't fly.

It's just one of the amazing and wonderful things about Italy. I don't think you could ever get this experience quite this way without living here, and it consistently amazes and delights me while also making me a loyal customer. So, if you ever find yourself in Monza, stop in at Colorificio Manzoni on Via Manzoni 54 and say hi to my guys.

Create to Live

This has become one of my favorites from my most recent trip to Venice. Late at night, in Piazza San Marco, this artist had his paintings set up to sell. In the image, I love how the light just pools around the art, an island in the darkness. The artist is there too, a part of it, slightly visible at the edge.

Isn't that how art is too? No matter what we create, it may be a representation of some other physical thing, but we are there too. Art is a reflection of us. You cannot separate the creator from the creation, the artist from the art.

And so I am in this image too, as the artist. I am the one who sees these moments. I am the one who looks longingly at these street artists, whispering inside, "I want to do that. I want to create for a living." Set aside my American-dream culture to say that maybe it doesn't matter if I have a big collection of stuff, maybe just creating is what life is about. Creating something good, something to be proud of, something that touches others in a positive way. Live to create, create to live.

Fundamental Shift

I came to a surprising realization this morning, that somewhere, sometime in the last year I have made a fundamental shift. I can see this shift in several ways...

In my photography, I have moved from the idea that I'm just capturing our travels to share with family and friends and remember later, to the idea that I'm creating art.

In this blog, I've found my voice, sharing my unique vision of the world around me and my creative journey.

In my self, I have moved from identifying myself as an engineer (my day job for the last 18 years) to identifying myself as an artist.

I am an artist.
Photography is my medium.
I have a unique vision to show the world.

Wow, that feels great to put out there. This is an exciting realization for me. I hope you continue with me on this journey, because who knows where it will lead.

(Photo is the entrance to the Marksburg Castle, outside of Braubach, Germany in the Rhine River Valley.)

Beautiful Spaces

I love art galleries. The light, the spaces. A well done art museum provides a place that is interesting and stimulating but also keeps the focus on the artist's work. Designing a gallery is an art form in itself! This is the Musee Marc Chagall in Nice, France. I love the colors that he uses, so bold and bright. The space was also beautifully done, to display his work and to learn about his life. I wish more museums would let you take pictures. I don't want to take pictures of the art itself, I can buy a postcard or print if I want that, but I want to capture the spaces the art is displayed in.

Art Expressing Spirituality

All around Europe, there are religious images. It would be impossible to live and travel here in Europe and especially Italy without seeing religious art. From a street corner niche to the vast cathedrals, we are surrounded by it. Much of it, while impressive and beautiful and historically significant, falls flat to me in terms of actually touching something inside my soul. It's no reflection of the belief system itself - they just aren't me; they don't reflect my beliefs.

For me, it is often the everday images that reach out and touch my soul - as evidenced by the things I share here. But once in a while I run into something that is both of a religious nature and I feel some connection with - that is this piece of art, in this chapel of the Bled Castle in Bled, Slovenia. I love the simplicity of the sculpture, the light on it, the location it was placed, the surrounding chapel. There is something more real to me about this religious art than a perfectly executed Rennaisance painting. This would be a place I could sit and ponder the nature of the universe or the nature of myself.

Perhaps this is the reason why I keep ducking into churches or chapels, just looking for the one or two pieces of art that speak to me. That give me a greater understanding of why art is so important to spirituality. And maybe a little better understanding of myself.

What's This?

Take a moment to guess what this is before I tell you...

We saw this in Genova, in an art exhibit called "Dumping Art" at the Palazzo Ducale. This exhibit was cool for a couple of reasons:
1. The art was all made of things that people had scavenged from the trash or recycling, and it was all amazing.
2. Brandon's "Unit of Inquiry" at school right now is all about Recycling, Reducing, Reusing - so this fit in perfectly. He actually created a presentation with my pictures in Powerpoint and emailed it to his teacher to present in class. 21st century grade school!

So, what is it? It is old computer printed circuit boards, like CPU boards. They are painted black with the different components and connectors painted in day-glo colors that show up in black light. They are then arranged to form a column, with mirrors on the top and bottom which made it look like it extended forever when shown in the dark with only black light on it. It was super creative and fun.

That's what I love about Italy, when you explore, you just never know what you are going to run across!

Speaking of Unique Vision

Wow.

Yesterday we went to the Steve McCurry Sud-Est 1980-2009 exhibit in Milano.

What an amazing photographer, able to capture the feel and story of a place and time. Able to capture the essence of a person's soul in his portraits. You feel like you are looking right inside them, and in return, they move something in you.

My goal of photographing and sharing the exhibit was not to reproduce his work, that is already done beautifully in the exhibit website and on his own website. My goal was just to show how they were presented, and how powerful and moving the photographs are. Seeing them large scale and in person was amazing. It showed me something different about how you can experience a powerful photograph.


In some ways, as a photographer myself, it was overwhelming. I mean, in the face of such greatness, why do I bother? But in light of yesterday's post, I remember that I have something to contribute too, my own unique vision. Steve McCurry's vision is beyond amazing, he is clearly an artist of extraordinary talent.

All I can say is... Wow.