Chicago & Me

Chicago & Me

We danced a little dance

of lines and curves.

Looking up, up up,

I forgot to look down,

and saw inside instead.

Saw that life

is play

and art

and travel

and friends.

Life is joy

in the moment,

seized.

A camera,

an orange umbrella

are all I need

to be happy.

City of lines and curves,

of light reflected back,

I see Me.

Forgive the random poetry, I'm reading a book of poetry right now and was inspired by the snippets of ideas strung together. These photos were taken at the Cloud Gate sculpture, aka "The Bean," in Millenium park in Chicago. It was quite empty as I walked past on my way to the Art Institute, and I couldn't resist a few self portraits with my orange umbrella. The moment just made me happy.

Connections

Let us step into the night and pursue that flighty temptress, adventure.

-- Albus Dumbledore in JK.Rowling's Harry Potter and the Half Blood Prince

I saw that flighty temptress in Chicago, in this sculpture at the edge of Millennium Park. I know it was her, because I've seen her before, in the work of my dear friend Carissa. She introduced me to that quote above and the temptress in her painting below, started at the Do What You Love retreat in May.

The Flighty Temptress, Adventure by Carissa

Isn't that cool? I love to find connections like this. Similar themes or styles or ideas between artists in dramatically different places and times. It makes the art I found on the streets of Chicago more real to me, because I saw a connection to a friend in it. And then, of course, I had to capture it, edit it and share it - making my own art and my own connection to the flighty temptress as well.

Here's another cool connection I've been meaning to share, between my online friend Angie and I. She created this lovely stitched piece, inspired by a photo I posted here. I love how she took the basic elements of color, line and shape from the photo and interpreted it in the fabric and stitching.

Bollards and Ropes by Angie

Creating art is a cycle of connection and inspiration. There is nothing wholly new, we are all influenced by the world around us. Our contact with other art and artists can't help but show up in our work. The cool thing is in how it shows up - we change it, give it our own twist. We share our own unique vision of the world.

Do you have stories of connection and inspiration between yourself and other artists? It would be fun to have you share them here!

Exploring with a Camera: Rimmed with Light

Earlier this year, as I visited art museums in Madrid, I found myself drawn to paintings with two features: Interesting skies and rim light. When that happens, it's usually only a matter of time before these elements start showing up in my photography. We've already covered the sky as an Exploring with a Camera topic in Capture the Sky, so today we're going to complete my Madrid fascination and talk about subjects Rimmed with Light.

If a subject is rimmed with light, you get an effect of glowing edges of light outlining your subject. Rim lighting is a form of backlighting, but with the light source off to the side. In my recent study I've found it takes some specific conditions to capture rim light:

1. Directional light. If there is even light, you won't have the strong light/dark contrast needed for rim light. You need directional light in order to get a strong contrast in light and shadow. The directional light doesn't have to be direct sunlight, it can be a lamp or a window in an otherwise unlit room. 
2. Angle of light source, subject and camera is important. To get rim light, the light source should be behind the subject but off at an angle. Low light works best, such as the sun in morning and evening, but is not always required. If the light is directly behind the subject, you will get a silhouette. If the light source is behind and only slightly off to the side of the subject, you can get rim light but you are at risk of lens flare (which you may or may not want). If the light is completely to the side of the subject, you get sidelight and will not have the "rim" effect. 
3. Contrasting Background. What's behind your subject matters, you need some contrast to really get the rim light to show brilliantly. The darker the background, the better the rim light will show up. A background in shadow works very well, as does converting images to black and white to highlight the get the tonal values and avoid color distractions.
4. Exposure. The exposure you choose will effect how the rim light shows up and can significantly change the focal point of the image. For dramatic contrast with focus on the rim light, expose for the rim light with subject underexposed. To bring out more detail in the subject, overexpose the rim light.  

I created this small diagram to clarify the requirements visually. The angle of light/subject/camera in this diagram is not scientifically determined (just to warn any of you engineers out there) it's just to give an idea to help you visualize the scenario that gives you rim light. This is a top view: 

But, a picture is worth a thousand words, right? Let's look at some images...

This image of Stevie, my cat, is exposed to show the details highlighted by the rim light. I had all of the elements I needed to capture an image rimmed with light: sunlight coming through a window on the right, and a background in shadow. I put myself on the same level as the subject, and moved around left to right to experiment with the background that would give the best contrast while not losing the rim light. You can see how the light coming in the window curtains behind dramatically drops off and creates a dark background to contrast with the rim light. Converting this image to black and white helps keep the focus on the light and dark contrast and not the brightly colored blanket under Stevie.

This was one time that Stevie actually cooperated and sat still long enough for me to capture multiple images and study the lighting situation. Below are a couple of images straight out of the camera to show you the effect of exposure. In the first image, the exposure is set for the rim light, and Stevie's face is very underexposed. There is not enough rim light to highlight the full outline of his head, and he gets lost in the background.

1/64, f/4, 80mm, ISO400

In this next image, the exposure is set to get more detail in Stevie's face. I like this one with the detail better but the color of the blanket reflecting in his face is distracting to me. In my editing I would convert this to black and white to resolve that problem.

1/15, f/4, 80mm, ISO400

In studying rim light, it is good to move yourself around relative to the subject in order to see when the rim light appears/disappears and how it contrasts with the background. It is hard to do this type of study with moving subjects, so I've found statues can be a great way to learn. 

I loved how the sculpture below, in the garden of the Rodin museum in Paris, is outlined with light. The hedge and trees behind created a good contrasting background that allows the rim light to stand out. It helps that the subject is a dark color, to further create contrast with the rim light. In this image, there is not only rim light created by the sunlight on the right, there is also sidelight in the reflected light coming from the pavement on the left. This light is more diffuse and serves to highlight the details in the statue subtly, without competing with the outline created by the rim light. 

Another Rodin sculpture, the image below is indoors at the same museum. This was shot by looking toward a corner of a room. There is a window on the right wall, facing the direction of sunlight, and a window on the left wall, in the shade. Even though the sun is not shining directly on this statue through the window, you can see the effect of the directional light in creating rim light on the right, while the light is more diffused from the left and highlights more detail. The background is not dark, but there enough contrast for the rim light. Converting to black and white helped remove some color distraction of the background wall paneling. 

One final sculpture image shows that the light does not always need to be low in the sky, it just needs to be directional and at an angle. For the image below, it was near noon and the sun was high in the sky, but since the buildings blocked most of the direct light, only one shaft fell on the statue in the Loggia in Florence and created the rim light.  

Shafts of sunlight are great for creating rim light. This self portrait I captured in Venice is a good example of how a shaft of light can be used, along with the contrast of the other areas in shadow, to capture some rim light. 

Hair, fur, etc. all seem to be great subjects for using rim light, since so many individual details can be highlighted by the light. They can also be difficult to capture, since subjects with hair and fur are usually in motion! This image of my son is from early in the morning in Florence looking at the Baptistry doors, next to the Duomo. I loved how the individual hairs on his head were outlined along with the features of his face.You might notice the flare, I was looking a bit more into the sun than was desired. Moving slightly to the right might have eliminated the flare, while still keeping the rim light. I will never know for sure though, because my son wasn't interested in keeping still that long for me to study him in this light. Again, I converted this image to black and white to highlight the light/dark tones and avoid color distractions from my son's clothing.

Having all of the elements required to capture rim light can be challenging, especially with moving subjects.  It is completely worth the challenges, however, when you see the end result of a subject beautifully outlined with light. I'm still on my quest for images with rim light, and now that I've learned a bit more about how to capture them it will be easier to see when the conditions are right.

How about you? Have you been able to capture subjects rimmed with light? Look through your archive or go out seeking the rim light, and share your images here with us. You can link in below or add your images to the Flickr pool, or both. If you have any other tips for capturing subjects outlined in light, share those too! I look forward to learning from you.

Good Medicine

Today I am not feeling so well, so I went to my photo folder with the desire to find a photo that would calm my stomach. Yes, I meant that, calm my stomach. Looking at images of beer from Oktoberfest just wasn't going to work this morning. And I found this one, of a sculpture in Barcelona. Just lines and light and sky.

Guess what? I feel better already.

Art Expressing Spirituality

All around Europe, there are religious images. It would be impossible to live and travel here in Europe and especially Italy without seeing religious art. From a street corner niche to the vast cathedrals, we are surrounded by it. Much of it, while impressive and beautiful and historically significant, falls flat to me in terms of actually touching something inside my soul. It's no reflection of the belief system itself - they just aren't me; they don't reflect my beliefs.

For me, it is often the everday images that reach out and touch my soul - as evidenced by the things I share here. But once in a while I run into something that is both of a religious nature and I feel some connection with - that is this piece of art, in this chapel of the Bled Castle in Bled, Slovenia. I love the simplicity of the sculpture, the light on it, the location it was placed, the surrounding chapel. There is something more real to me about this religious art than a perfectly executed Rennaisance painting. This would be a place I could sit and ponder the nature of the universe or the nature of myself.

Perhaps this is the reason why I keep ducking into churches or chapels, just looking for the one or two pieces of art that speak to me. That give me a greater understanding of why art is so important to spirituality. And maybe a little better understanding of myself.

Alive

"I like living. I have sometimes been wildly despairingly, acutely miserable, racked with sorrow, but through it all I still know quite certainly that just to be alive is a grand thing." - Agatha Christie

I read this quote this morning and it struck me as so true! I wanted to share the quote and chose this picture, a sort of self portrait of me in the mirror behind an Egyptian statue at the museum in Torino. One of the interesting things about ancient Egypt is their fascination and preparation for death. In one exhibit, they showed a tomb of a common man. This guy labored all day building the tombs of the mighty and powerful and then in his free time labored to build his own tomb. His life spent preparing for death.

I think I would rather spend my time alive in living, no matter how messy it might be.

Capturing Light

For a long time, I didn't understand how photography was the "study of light" until I took enough pictures, took the time to see what I was really doing was capturing the light that illuminates the object as much as the object itself. In the same way, I've never really understood or appreciated sculpture as capturing light. It was two things that did it for me, seeing and photographing this work Eros and Psyche by Antonio Canova in the Louvre, and seeing an exhibit of Robert Mapplethorpe photographs alongside Michaelangelo's David in the Accademia in Florence.

Sculpture really is the study of light on a volume, the same way that photography is. But it's in 3D. You can walk around it, see it from all angles, and appreciate the art in a different way. Next time you see a sculpture, whether modern art or classic figures in marble, try to notice how it captures the light.

Waiting

One of the things I loved about the Paris museums is that they actually allow you to take pictures, unlike the Italian ones. Usually I don't want to take pictures of specific art, but want to capture how it is presented. I loved this look down a wing of the Louvre. Not one of the famous works of art was here, as evidenced by the lack of people. Just the docent, sitting quietly, and the art iself, waiting for someone to happen by. For some reason this just makes me smile.