Showing posts with label Barcelona. Show all posts
Showing posts with label Barcelona. Show all posts

Friday, July 8, 2011

It's Open! + Favorites: Tiny Pieces of Bliss

Tiny Pieces of Bliss
Barcelona, Spain, 2010

Today is one of my all time favorite images. A favorite favorite, if you will. With this happy image I also have the happy announcement that registration is OPEN for the July-August Find Your Eye series of classes!  Woohoo! You can find the course details and register here. If you have any problems with registration please let me know ASAP, since I'm still working out the bugs with this new system. I already had a couple of issues after my initial announcement to newsletter subscribers, but I think they are fixed. Now I know why stores do "soft openings" before the official opening. :)

Wow, has this been a crazy week. I can't believe I've been in the US a week already, time is already flying and I'm exhausted. You know when you put together a plan on paper, and it all sounds good, but executing the plan is so much harder than you envisioned when you wrote it all out? Yeah, that's where I am right now.

For some reason, all of my energy was focused was on the "leaving Italy" part of the plan and I didn't quite expect the "arriving in Oregon" part of the plan to be as much work as it has been. I think maybe I underestimated because it's so much easier to get things done in the US as compared to Italy. Things are more efficient here, I speak the language and know how and who to call. Since we are coming back to the same place we've lived before, it all seems like it should be ready and waiting. But the boxes still need to be unpacked, trash service set up, addresses changed... you get the picture. The list is a mile long.

Even with all of the millions of details that still need to be done, we are now in our house and sleeping in our beds. We are cooking at home and don't have to eat out anymore. Stevie the cat is doing well and seems to be adjusting without incident, much better than when we moved to Italy. All in all, things are good.

If you ask me how I feel about being back in the US though, I couldn't even begin to answer you right now. I've been too busy to feel anything. In a couple of weeks or a month, I'll probably have more to say on that topic. For now, it's back to that mile-long list.

Saturday, July 2, 2011

Letter from Gina

Why Can’t You Go Home Again?

"You can't go back home to your family, back home to your childhood ... back home to a young man's dreams of glory and of fame ... back home to places in the country, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time — back home to the escapes of Time and Memory." Thomas Wolfe


Living in an unfamiliar place with different smells, tastes, and rhythms can be a jarring experience. Dislocated is a good term for what I was experiencing in my new environment --except I was in my hometown, feeling like a stranger. My family had just returned from a nine month stay in Barcelona, Spain, where our daughters attended public school and my husband did a research project at the University. We fell in love with Barcelona with all its beauty, culture, and bakeries.


I was unprepared for the reverse culture shock that I felt when we returned to our home in Sacramento. This was more than a post-travel funk. Things back at home were both bigger and smaller, brighter and duller. It was a little like being Alice in Wonderland, never knowing what to expect. I was missing the siestas and leisurely lunches with the whole family. Now our family life became more fragmented and hectic, as we moved back into our jobs and schools.

Friends welcomed us back, of course, but only a few seemed interested in hearing many details of our adventures in Spain. Just as we had changed and grown in our time away, our friends had too. We had to find new common ground. Some friendships withered away, others grew stronger. After a few stressful months, I gradually found my new groove – and a new me that included Barcelona as one of my homes.


Kat, I wish you an easy transition back to the U.S – your self awareness and maturity should make for a smooth re-entry!

[Today's letter is from Gina, author of the blog Here and Now. She now lives in Sacramento, California. You can see all "Letters to Kat" posts here.]

Saturday, May 28, 2011

Meeting the Goal (A Swap Update)


Have you ever looked at something big, thought it was insurmountable, but decided to try it anyway? Some things are optical illusions, brought on by perspective, like this building from Barcelona. It almost seems to go on forever, but that's really because of my perspective, right at the base. It's a tall building, yes, but it's not infinite.

That's a bit how I felt when I set the goal of 200 people in the Liberate your Art postcard swap. I knew it would be a big stretch, and it seemed a bit insurmountable. I knew I couldn't get there on my own, but guess what - the goal has been met! As of this writing, there are 228 people signed up for the swap. Wow! That's 1140 pieces of art that will be winging their way around the world in July. Actually, it's 1368 when you count my postcards too. I'm so excited! Thank you all so much for helping me get to this goal, by posting on your blogs, putting the button on the sidebar, posting on facebook, tweeting - all of that. I couldn't have done this without help.

There is still a little bit of time to sign up, if you haven't yet. I'll close the sign up on 4 June, next Saturday, and then the focus turns to execution of the swap. Visit the swap page here for the details if you would like to sign up.

And... there are new links added to the participant link list this week! Take a few moments and visit a few of your fellow artists who have shared links. I hope you will connect with one or two others this week and say hello.

Links Added since last update:


Grandma's Recipe Box
Heartwork Photography
Dixon Hill
Just me and my Art
Mia Makes...
Cosrard & Penpen
I miei due bambini
Special Moments in Time
Such stuff as dreams are made on
Pasando
Darlene Cunnup Photography
Peach Coglo
One Woman, Reinvented
Creative Explorer
Bren's Bright Corner
Jillsy Girl Studio
BahamaDawn
Today is a Gift
My Consuming Passions

The rest of the list - so many great places to visit!
How to Feather an Empty Nest
Learning as I Go
Paloma Chaffinch
Fiberworks
Ashley Sisk's Ramblings and Photos
Jenny Shih
Life @ RuffHaven
kharliebug
Here and Now
Living in a Still Life
Bastelmania
Donna Did It
Left in Front of Right
The Red Tin
Altered Muse Art
Dreams and Whispers
Maddy's Stitching Corner
Simply Life Photographs
Pointy Pix
Natasha May
The Vintage Artist
Digital Experiments by Carolyn
WJC's Digital Designs
Creating my Life
icandy
i wanna be me when i grow up
Giddy-Up Let's Ride
The Creative Identity
Elizabeth GLZ
Jofabi Photo
A New Day, A Different Way
A Rural Journal
Alchemy of Art
eyechai
Picturing the Year
Superdewa
Hounds in Heaven
BleuOiseau Photography
Aquarel Rivers
The Wright Stuff
The Mrs.
Urban Muser
deustchemexicana
{Furi Kuri}Travels
A Little Blue Sky
carola bARTz
Same Day: Thirty Years Apart
Camper
Cottage 960
Nomadic Notebook
Well of Creations
CindyLew's Studio
Om2Art
Hysong Designs
The Weekend Photo Warrior
Tina's Tree
The Studio 56
Kristen Walker
naperie
Rosie Grey
This Life through the Lens
Not Everyone Has Film
Sloane Solanto: A Colorful Life
Ravenous Rae
sassyangelac
My Midlife Creativities
MakieDoll
Tracy Swartz, Whimsical Gourd Art
One Thousand Paintings
One Little Promise
Amber Leigh Jacobs
Marie Z. Johanson
The Queen of Creativity
Expressive World
Random Thoughts Do or "Di"
Lyrical Journey
Karen Koch, Life Needs Art
My Sweet Prairie
dye~ing to be yours
Knottyneedle
my heart art
ODDImagination
Crafty Creativity
Jenna Kannas Inspirations
Going a Little Coastal
Starry Blue Sky
Quilting, Calle and other things
Matthew and Larissa
sightspecific
Studio Mailbox
Artimagica
Poetic Mapping
Simple Mansion
By Jen
Paper Bird
Musings of a Hennaphile
She Dreams of the Sea
The Little Things...
Tangerine Meg
amaze, surprise & delight
love PEAS
Straightlinez
Kristen Laudick Photography

Monday, April 4, 2011

A Different Approach


For several months now, I've had a dearth of creative reading. Oh, I've been reading a lot, mostly fiction novels. I just haven't been able to find a book I like for my daily creative reading since I finished Simple Abundance by Sarah Ban Breathnach at the end of last year. This morning I sat down to read and I find myself with three inspiring books in progress at the moment. It was hard to choose! Times ebb and flow, interests come and go. It's clearly time for me to focus on creativity again, bring balance to my personal equation, after several months of focusing on primarily on photography.

As I mentioned in my Claim your Artist post the other day, one of the books I've started is Julia Cameron's Vein of Gold, a sequel to The Artist's Way. She starts out similarly to the The Artist's Way, introducing her fundamental tools of the Morning Pages, Artist Dates and a few other things. While I have loved her writing and ideas, there is one thing I don't love about her books: How adamant that she is that you use the tools she gives, in a specific way, on a specific frequency. She's the teacher, she's taught this to thousands (maybe millions of people, through her books), she knows it works and that's the end of the discussion.

But here's the thing: She doesn't know me. She doesn't know what works for me, how I think, what I've tried in the past. She has a lot to teach me, but it won't work if it doesn't fit my style. I know me and I know this: Requiring a task be done on a rigid schedule with rigid guidelines flips me right over into the obsessive achiever part of my personality. The part of me that tracks everything as a number and berates myself when I don't follow it as instructed. The part of me that will kill the emerging artist at every opportunity.

Through my creative journey I've learned I need to try out the tools a teacher provides, and then fit them to me. I've made journaling part of my regular practice, but I journal probably 4 to 6 times per week and don't require a certain length. The requirements of "Morning Pages" never worked for me. I've learned the value of creative excursions and explorations on my own, of filling the well, but on my own schedule. I may not be following the instructions of the "Artist Dates" but I get the same benefits. I follow the spirit of the teachings, not necessarily the absolute.

I will confess as well, I didn't fill out one worksheet, one questionnaire, answer one "recall a time when xxxx happened" exercise in The Artist's Way as proscribed. I didn't follow the recommend schedule for reading. I would move quicker or slower as the material worked for me. I've done the same with many, many creative books now. I never read Simple Abundance daily, I would pick it up as it inspired me and read chunks of it at a time. I skipped all of the fill-in-the-blank exercises of Martha Beck's Finding your own North Star but the material has stuck with me nonetheless.

I read, absorb, journal, write about the most important pieces to me here. The ideas go into the "swirl" I've talked about before, become the fuel that keeps my creativity burning bright. I gain an enormous amount from the books I read and the classes I take. There is so much to learn from great teachers. I believe in trying on ideas and methods, and then trimming them, nipping and tucking them to make them fit me. We have to believe in our inner wisdom and intuition. We have to rely on our own experience and awareness of ourselves, of how we learn and integrate knowledge. We have to make the teachings ours if they are going to be useful.

Have you ever started a book or a class, something that comes highly recommended like The Artist's Way, only to quit because you didn't like the methods or didn't want to follow the procedure? If so, I don't think you're alone. Here's something new to try, if you find yourself in that situation: Just read the material. See what resonates with you, inspires you. Who knows, you might end up liking some of the suggestions and incorporating them in your own way, in your own time. Or maybe not, but you'll have gained something more through the reading.

Today's picture is inside the amazing Sagrada Familia cathedral in Barcelona, by architect Antoni Gaudí. Here's an artist who found his inspiration in novel sources. I'm sure he learned valuable information from his teachers, but I am glad he didn't follow their proscribed methods exactly. He integrated and applied the knowledge in his own way, developing new methods. The world of architecture is more beautiful for his unique and creative interpretations.

Take that to heart today.

Sunday, February 20, 2011

Mystery Revealed


As I went back in time in my photo file to find an image that would reveal yesterday's mystery, I came across this photo of the ceiling in the Gaudí designed Casa Batlló. Actually, I came across two photos of this ceiling, and I remember them well. At the time I was editing, there were two different compositions I processed similarly and liked, but I couldn't decide between them. Since I couldn't decide, I just left them in the file and didn't do anything with them. As I reviewed these images yesterday, this specific composition jumped out at me as being the more interesting of the two. It was absolutely, crystal clear in my mind. Why had I had such a debate long ago?

This is a great example of how we grow and change over time. My style and eye has been refined since I worked with these photos eight months ago, and I have a different response to the images from that time. I see the world from a new place, a shifted perspective. Have you ever gone back in time, and discovered wonderful things in your old photos? There are many gems for you there, I guarantee it.

No one was able to guess what yesterday's image was, and I'm not surprised. It was a bit abstract, and requires a little bit of a history lesson around architect Antoni Gaudí. Gaudí was inspired by observing the world around him, and the catenary arch is one example of this philosophy that you can see in many of his designs. A catenary arch is the shape that a chain or rope will make when at rest, the forces perfectly balanced. When you turn this shape upside down, you have the shape of a very strong arch for building.

The image I showed yesterday is the mirror reflection of a grouping of chains that Gaudí used to design a cathedral. The hanging chains form a series of loops that become arches and domes when viewed in reflection. The whole set up of this exhibit was very neat, with the mirror and the shadow on the wall to help illustrate the concept. Here are is an image of the chains "right side up" to help you see what you were looking at.


Here is yesterday's image of the view in the mirror, in color. A little more context helps you understand what you are seeing, doesn't it? It's amazing how we as photographers can manipulate reality, just by including or excluding context. That's what makes this medium art. We, as the artists, get to decide.

Friday, February 18, 2011

Artists and Art


From Seth Godin's blog yesterday:
Art is what we call...
the thing an artist does.
It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.
Art is not in the eye of the beholder. It's in the soul of the artist.
I loved his words so much I wanted to share them here with you today.

Today's photo is from Barcelona. Can you guess what this is?

Monday, February 7, 2011

Creative Space


I come at you this morning from a blank page. No preconceived notion of what photo I will choose, what words I will write. No agenda. This is what creative space feels like. Breathe into it. Let the ideas expand to fill the space, let them go. New ideas will come to fill the space.

This weekend I spent some time being creative. Editing photos for fun rather than to get something together for a specific project. Creating a collage intuitively, to see what comes out. I need the time and space for these things, in order to maintain my balance and perspective. Do you find the same?

So I start again with a blank page. Sometimes the blank page can be frightening, but right now it feels wonderful. Maybe it's more like sitting in an empty room than a blank page. A room where I can see the door but I'm just going to pause here and rest for a while. Breathe in, breathe out.

Photo is from Casa Batlló, by architect Antoni Gaudí in Barcelona, Spain.

Tuesday, October 19, 2010

Some Mornings


Are just about the picture. Have a great day!

Friday, October 1, 2010

Good Medicine


Today I am not feeling so well, so I went to my photo folder with the desire to find a photo that would calm my stomach. Yes, I meant that, calm my stomach. Looking at images of beer from Oktoberfest just wasn't going to work this morning. And I found this one, of a sculpture in Barcelona. Just lines and light and sky.

Guess what? I feel better already.

Thursday, September 9, 2010

Exploring with a Camera: Spirals


Spirals are a beautiful shape. They have marvelous curves and convey energy and motion. Not only that, they are a truly efficient form used in nature, and we see them so many places in our every day lives!

While I have captured spirals with my camera countless times, the first place I truly became aware of the spiral form explicitly was in the Barcelona Science Museum. The exhibit on forms found in nature had this to say:
The spiral is a circumference that twists away on the plane that contains it. It is the best way of growing without occupying too much space. It is frequently found in animals when there exists the contradictory need for something massive, voluminous, broad or long that does not affect mobility (horns, tails, tongues, trunks, shells, etc.) and in plants to grow something that will subsequently be unrolled. If we unrolled all the spirals we have at home (kitchen and toilet paper, audio and video tapes, adhesive tape, records, springs....) we would be forced to leave the house, as we would not all fit.
Wow! I had never thought of it that way. The typical form in nature that comes to mind for me is the shell (above, from Barcelona Science Museum), but there are so many other places you will see it. Take this photo of a gardenia, for example, from my online friend Barbara:
So gorgeous! Mother nature really knows what she is doing in these things (and so does Barbara). :)

Our man-made world copies nature to use the function of spirals. I don't personally have any photos of toilet paper, but the common spiral staircase, like this one in Verona, is a good example.
And I will spare you the countless spiral staircase photos I have of lighthouses on the Oregon coast! I can't step into one without capturing the wonderful curves and lines of them. (In prepping for this post I learned that technically, this is not a spiral because it is not all on the same plane - it's a helix. But you'll forgive me if I claim artistic license here, won't you?)

Even more than function, humans copy the form of spirals in our everyday world. The Romans used them, as I discovered in this floor mosaic in the British Museum:
The Greeks used them, in their ionic columns. (Thanks to my 9-year-old son, I've relearned which are Doric, Ionic and Corinthian. Ionic have the spirals.) These columns are used all over in architecture, here's just one example I caught in Bath:
And they are used all the time in wrought iron work, as I've noticed here in my travels in Europe. Here's a light post in Bath:
My favorite wrought iron spiral of all time is this railing in Amsterdam. Talk about function following form! What graceful curves...
An architect who used spirals over and over in his work was Antoni Gaudí, in Barcelona. He took much of his inspiration from nature, and this ceiling detail is but one example.
We see spirals every day, even if you haven't noticed it lately. I captured these two images of bus shelter advertisements in different cities on our recent trip to England. Spirals are used in graphic arts to denote natural beauty and to convey energy. They catch your eye and draw you in.

Keep your eye out for spirals around you. Here are a few ideas:
1. Look at home. All of those rolls of paper! And then there are spiral notebooks, springs, even toys (hello, Slinky!). What is there with spirals, sitting right next to you?
2. Look at nature. Flowers, ferns, vines, shells all show spirals. Water moves in spirals, think whirlpools and breaking waves. How can you capture them? What else can you find?
3. Look at architecture. Staircases and wrought iron are two I've mentioned, what others do you see?
4. Look at art and design. Artist have used spirals in their work for thousands of years, and the golden spiral or golden ratio is a fundamental compositional principle (see a short and helpful explanation here). What traditional and modern uses of spirals can you find?

I can't wait to see your spirals! Join in and share them in the Flickr group.

PS - If you want to do more exploring with your camera, visit past posts here.

Wednesday, August 18, 2010

Exploring with a Camera: Repeating Patterns

Time for another exploration! Can I tell you how much I look forward to these? I have been thinking about this post for the last two weeks, pondering today's topic and seeing things in the world around me with an eye to Repeating Patterns.

We have repeating patterns everywhere in our lives. So much so that we don't always notice them. We see, catalog, and sort the differences in things, that's how our brains work. The sameness can blend in to the background. But, when we notice, we can use the "sameness" of patterns to good effect in our photography.

First, let's explore repeating patterns as the focal point of our images. In the photo below, of a Barcelona apartment building, at first glance it might look like a photo of windows. It's not. It's a photo of a repeating pattern - the windows, balconies and shadows all repeat in a regular fashion. There's no one place for the eye to look. I've heightened the "pattern" aspect of the photo by changing it to black and white. No pesky color to distract you from the pattern. The image becomes more about the pattern of light and dark, than what is creating the pattern of light and dark. I especially like the undulating light "stripes" that appear, where the sunlight hits the building, when you stop looking at the windows and shadows and just look at it as a pattern.

    Here's another image that is of repeating pattern, of a rooftop in Murten, Switzerland. You see the shingles, all repeating at regular intervals vertically and horizontally. There is a difference in this photo, however, from the image above. In this photo, the repeating pattern serves to highlight another aspect - the fact that the shingles are different. The pattern repeats, but what makes up the pattern does not, so this image is about the differences. Differences in color, size, shape. You notice them all more because of the pattern.

    In thinking about repeating patterns and how I use them in my photography, I find that this second use, using a repeating pattern to highlight some third aspect, is my primary use. This image of shadows on the street in Bolzano, Italy is a good example. Imagine the image of the shadows without the contrast of the pattern, or the pattern without the shadows. Either way, in my mind's eye, it falls flat. But when you combine the two, and use the repeating lines and shapes of the pattern as a backdrop for the irregular and solid shapes of the shadows, you get a great image. The repeating pattern really sets off the subject, the shadows. Again, in this image I converted to black and white to highlight the lines, shapes, patterns.

    The pattern of the edges of the floor tiles, of this Gaudi design in Barcelona, serves to contrast and enhance the flowing nature of the art that is impressed into them. The angle of the photo, with the pattern growing smaller and blurring toward the back, serves to enhance your awareness of the dimension, how the light and shadow is showing you the impressed elements. The pattern of straight lines provides a structured frame that the flowing curves reside in and move through. You also get hints that the natural, curvy figures impressed into the tiles are a repeating pattern of their own, when you look at it closer. All that in one picture of a floor!

    Here the repeating pattern of the balconies serves to enhance the feeling of height in the skyscraper in Barcelona. You see this in many "looking up" skyscraper shots, but this one is very dramatic because of the horizontal lines and angles jutting out on each floor.

    This image, from Milan, shows how the pattern of the light and shadow on the unusual bricks of this building serve to show the curve and size of the building. You see the bricks, but the repeating pattern of them immediately leads your eye along the curve toward the edge. What happens after the edge of this picture? The crop of the image, which doesn't show you beyond the building, leaves you with the impression that the pattern continues indefinitely.While all of the examples so far have been of architecture, I also find store displays a wonderful source of repeating patterns. In this image,you have repeating patterns in three dimensions. An image of a single chocolate bar, while showing the design of the wrapper, color, etc., would not be as interesting as this one with the repeating pattern. The pattern of multiple bars repeated, as well as the repetition in the third dimension, gives depth and a feeling of abundance. You see the chocolate bar wrapper just as clearly as if that were the only thing in the photo, but you also see more.

    So, how can you use repeating patterns in your photography? Some ideas and tips...
    1. Look for repeating patterns, they are everywhere around us. Architecture is one of the best sources, because it takes lots of little, repeating pieces to build something big. Elements of architecture with repeating patterns can be found in the facades - windows, doors, trim, bricks, blocks of stone - or inside - steps, beams, flooring. Our modern world is built with repeating patterns! Stores are also a good source of repeating patterns, because they have a lot of the same thing to sell. Look for creative store displays that use that to good effect.
    2. Look for opportunities for the pattern to be the subject. Choose your composition and angle such that you see the pattern repeat several times at the same size and there is no "perspective" effect. This will often be looking straight at, or very close to straight at, the subject pattern. Try converting to black and white to enhance the pattern aspect, removing color as a difference that may distract from the pattern itself.
    3. Look for opportunites for a pattern to enhance or contrast with a subject. Use angles that show the dimension - distance, height, depth. Use compositions that capture differences in the pattern - whether it be color or shape. Use a pattern as a backdrop for the subject. Use post-processing, like selective color, to have one element of a repeating pattern pop out.

    What other ideas do you have for capturing images with repeating patterns? I'd love to see what your eye sees! Share here in the comments or join in the Flickr group.

    (Want to explore some more? You can find all past explorations linked in one place here.)

    Thursday, August 5, 2010

    The Means or the End?

    A stairway is a means to an end, a way to get from one level to another. But sometimes, the "means" can be separated from the "end." It becomes important in itself, like this stairway in the attic of Casa Battlo in Barcelona. Yes, it's a stairway. That's the obvious and practical "end." But it is a beautiful work of art, nicely framed and ready to be enjoyed, in it's own right. The "means" develops an identity on its own, a purpose of its own, without considering the intended "end."

    I've been thinking a lot about the process of creating art, creating my photography. The process of creating - of noticing and seeing and capturing and playing - is as important as the end result. The photo that I present here each day is just the obvious and practical end of my art, like the purpose of a stairway to get you from one level to the next. But the fact is that the process, the means, is probably more important to me, the creator. That's why I continue to create, why all artists continue to create. If it wasn't, we'd all be done with the first work of art we are really happy with, especially if we aren't doing this for a living. (Getting paid for art is another kind of wonderful "end" for the artistic process.)

    Ursula K. LeGuin said, "It is good to have an end to journey towards; but it is the journey that matters in the end."

    The journey, for me, is the creation of the photograph. The beauty of this "means" being it's own "end" is that process of creating is not finite, is an ongoing, never-ending, renewable resource. Infinite. Regardless of what I created or shared yesterday, I have more to create today and tomorrow.

    Isn't that an incredibly positive and exciting way to think about it? I encourage you to think of your art, whether it's photography or writing or cooking or yoga, in the same way. The end is not the purpose of the creative process, the means is!

    Sunday, June 20, 2010

    Time to Bloom

    "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom." - Anais Nin

    I read this quote in three different, unrelated places in one 24-hour period a couple of days ago. On a blog I follow, in an online class I'm taking and in a book I'm reading. When something like that happens, you can't ignore it. There is a message for me here... it's time to bloom!

    Wednesday, June 9, 2010

    Hard and Soft Edges

    A wrought iron handrail in La Pedrera, aka Casa Mila, another building by Antonio Gaudi in Barcelona is a great example of soft edges. The handrail could be all straight lines, right angles, functional, forgettable. But it's not, it's art - part of the decoration, the feel of the place. It's beautiful. I never thought much on wrought iron before living here in Europe, but now I've seen so much beautiful and functional wrought iron work I respect it as it's own art form.

    In another forum, I had someone comment on the contrast I was seeing in my Barcelona photos. She put it as hard vs. soft edges. I hadn't even noticed that before, the contrast that I had noticed in Barcelona was the old vs. new, modern vs. classic, but there is definitely the hard and soft contrast too. Straight lines and flowing curves. I love getting a comment like that, that helps me to see things I captured in a different way. Keep them coming!

    Architecture as Art

    The attic of Casa Battlo, one of Antonio Gaudi's houses, is a magic place. All arches and light. Gaudi was an amazing architect of the Modernista age in Barcelona, he was able to create such a wonderful feel in the spaces he designed, even in something as mundane as an attic where only the servants would go. He was an artist, and his canvas was the buildings and spaces he created.

    The feeling of light, design, art inside Gaudi's Casa Battlo was reminiscent for me of visiting Frank Lloyd Wright's Gordon House in Oregon. It's like you enter the space of genius. These places make me look at architecture differently, not just from the outside but from the inside too. And then I wonder why most of our buildings are boxes with holes in them for light, when we could have spaces like these.

    Monday, June 7, 2010

    Tapas, anyone?

    Hey look, here are a few seats in a tapas bar in Barcelona, just waiting for us to come in and sit down. What time should I meet you there?

    Sunday, June 6, 2010

    Blissful Color

    Tiny flowers for sale in the market on Las Ramblas in Barcelona. Wrapped up in paper for a Euro a bundle, these bright little buds were too cute, too colorful to resist. I bought a packet, tucked them in the pocket of my suitcase and then forgot about them until yesterday. I thought they would be crushed as I dug them out of the suitcase, but they survived just fine. As bright and colorful and whole as they had been in the market, they are now smiling at me from my bulletin board next to the computer. A colorful little reminder of our time in Barcelona.

    It's funny, in all of our travels we really don't buy too much. For me, the photographs and experiences are enough. Occasionally a small piece of art, an interesting mug for tea or a small item, like these flowers, call to me as a little something physical to take back from a place.

    This month's theme at Creative Every Day is "bliss" and I was having trouble with the word, until I realized that for me color is bliss. Bright, happy color. Like these little flowers.

    A New View

    One of the things I loved about Barcelona was the modern architecture. Such wonderful, creative buildings around the city. A feast for the eyes, with the lines and the reflections. Such a wonderful contrast of old and new in this place. It was a nice break from the older, historic architecture I love and have been photographing so much this last year.

    Another new "view" today is my blog redesign! This is the project I've been working on here and there, using the technical side of my brain for a creative purpose. I've tried to make it easier to find posts by labels and also to bookmark or share. Let me know what you think... what you like and don't like. I want to make this a place you like to visit, so please let me know!

    Friday, June 4, 2010

    Radiating Lines

    In the Avigunda Tibidabo station in Barcelona, the Line 7 subway comes in. I loved the radiating lines and emptiness of the station. The black and white really draws your eye to the lines. The chairs, the walls, the lights, the tracks. I love the station signs on the wall that tell you the location, the city and location within the city if you know enough, but it could be any station, any where. The radiating lines that are echoed in the subway map of the city, spreading outward to the edges.

    The funny part is, this train came into the station, sat there for a few minutes and then left without letting anyone board. During that time the station filled up with people and the opportunity for this shot disappeared. It was as if the train came down the runway, posing for the beauty shots with perfect timing like a good model would. Thanks!

    Back from Barcelona

    Barcelona is... architecture and color and sangria and Mediterranean breezes and Gaudi and mosaic and art and a wonderful place to spend a long weekend. We had a slow start to our weekend when our flight was cancelled Friday night. We were able to get a new flight early Sunday morning and back Thursday morning so we still had 4 days there to explore and enjoy. I am soooo glad we didn't just throw in the towel when our flight was originally cancelled, because Barcelona is a wonderful city and worth the time to visit.

    This first image from Barcelona is a mosaic by Gaudi, in Park Guell. Gorgeous. I loved this method of broken tile mosaic, so colorful and random. I'm going to enjoy going through these pictures!

    By the way, I should show you what I had to do to get this shot:A new level I'm will to go to for my photos... down onto the floor! Thanks to my husband Patrick for capturing this "behind the camera" shot.