Paint the Music

Can you imagine a world without music? I can't. As much as I love the visual arts, I love music too. What a fun combination of music + painting I found a couple of months ago, in a window in downtown Corvallis. Bringing colors and sounds together, in one place. I had fun composing this shot with all of the bits and pieces of violins visible.

Music is on my mind today, because we saw Matt Nathanson in concert last night in Portland. Hearing great music live is a favorite thing of mine. Whether a symphony orchestra at La Scala in Milan or Matt in the Crystal Ballroom in Portland, there is a different experience of hearing music live. You feel it in deep in your body, you can't help but move. And when the whole audience loves the music and is singing along? Wow, what an energy! Music is another soul language, it short cuts the brain and connects right to your soul.

Matt is a great musician, and a fantastic entertainer. His live shows do not disappoint. This was Brandon's first concert (that he was awake for - he slept through a Matchbox 20 concert a number of years ago), and he was so excited. As we headed home, he said his favorite song, Faster, was even "catchier" live. I think he's got my live music bug. Maybe some will consider us irresponsible parents for taking a 10 year old to a concert on a school night, but I can't help but believe that learning to love music is an important part of his life education too.

We had another great side benefit, being introduced to Scars on 45, the opening band. They are from England and are definitely worth a listen. I'll leave you with a song from them today.

A Morning at the Museum

Art on a rainy morning, what could be better? While in Chicago, I had a morning free to visit the Art Institute of Chicago. A wonderful place! The first major art museum I've visited since returning back to the US. I enjoyed the opportunity to see some new works of some of the painters I came to appreciate while in Europe, and learn more about American artists as well. The museum allows photos too - a very happy day for me!! My experience of art is always deepened if I can capture it with my camera.

Since I had limited time and I know what periods of art I like, I focused my visit on specific areas. American Modern Art (1900-1950), European Modern Art (1900-1950), and Contemporary Art (1945-1960). I also popped through Contemporary Art (1960 and later), Architecture and Design (special exhibit on Bertrand Goldberg), and Photography (although they were resetting the photography exhibit and most of it wasn't open - sad!).

As always, I was drawn to abstracts with bright colors. Paintings that highlight gradations and transitions between color in unusual ways attract me. A new find this trip was German painter Franz Marc, I loved this painting called The Bewitched Mill. Very much like my favorite Italian Futurists of a similar time. I am always drawn to the art of 1900-1920 or so.

I just loved his use of color! Isn't it gorgeous?

It was also fabulous to see more of Georgia O'Keefe's work in the American section, she has a style that has always appealed to me. I was pleasantly surprised by how large the museum's Impressionist collection was! It was great to see more of Monet's water lilies, and Cezanne's still lifes, among many others. I also very much enjoyed seeing these two paintings by Mary Cassatt. I've seen them before in texts but they are beautiful in person. She had such an amazing way of portraying everyday moments.

I left the museum refreshed and inspired. There is something about art, specifically painting, that just speaks to my soul. What a wonderful opportunity to connect with this again!

Emily, this last one is just for you. (Bueller... ? Bueller... ?)

PS - Lightroom 3 Update: I edited all of these in Lightroom this morning! I've had absolutely no instruction (books are on their way!) but I'm finding it intuitive to use and in some ways much simpler than Photoshop Elements. I will keep you posted as I progress!

Inspired by...

I've been wanting to share how my studio is shaping up, with some lovely art to inspire me. It is so exciting to get things up on the wall, making the whole space more complete. 

The top painting is by Diana Mulder, a mixed media artist I met online over a year ago. She created this work of art from a photo I took, you can read the story about it here. I am enchanted by this piece for many reasons. It is from an image of my son, which endears it to me, but also for the connection it represents with Diana and other artists I've met online. I love how she took my original photo and added brighter colors. This image does not do it justice, there is a lot more texture and layers than is visible here. How perfect the color scheme fits right into my studio, too!

The middle painting is by local artist Jennifer Lommers. I found her at the Corvallis Fall Festival, a wonderful local arts festival held every September here in town. It turns out, Jennifer lives in my neighborhood and knows my son from the school bus stop. Small world! I am entranced by her colorful, swirly style. I absolutely loved the large original of this peacock, but settled on the print for now. I am happy to have it framed and gracing my creative space.

The bottom painting is an original watercolor, purchased in Burano, Italy. As Burano is my favorite place for color, this was a perfect add to my studio as well. Other little bits of inspiration on the shelves are a Murano-glass clock, a cute cat figurine purchased in San Marino, and a little die cast scooter I purchased for my son on my first business trip to Italy, before we ever thought about moving there. Everything in this space is a source of inspiration.

Do you have a creative space? Do you fill it with things that bring you joy?

Linking in to Paint Party Friday, to share the art of these inspiring painters with others this week! Kristin and Eva, I hope that's ok.

Finished!

The Garden
16x20", Acrylic on Canvas

Finished! Two months in the making, this is my first finished painting, since returning home from Italy. It is my first finished painting since Flora Bowley's workshop in May too, and really my first painting completely "on my own." No teacher, no photo to guide me. Just me, paints and paintbrush. It feels good to get to this point, but I'm stretching out of my comfort zone here to actually lead with the painting as the main image of the post. Have you noticed how I usually lead with a photo, even when I share a painting? Photography is where I'm confident and secure, painting is not. I have so much to learn.

The recognition I have much to learn was brought home this week by my attendance of the Corvallis Art Guild meeting on Monday night. This art guild is for 2D, non-photography artists. (There is also a local Photo Arts Guild, which I've joined too.) I decided to join because I want to continue to learn about painting, and be part of the local artistic community. At the beginning of the meeting, some of the artists shared their work. It was amazing, the talent in that one row of people blew me away. It made me feel like a complete and total fraud to be there! I have so far to go. The meeting was inspiring and intimidating all at once. I don't think I'll be sharing in that front row for a quite a while. (Why is it I'm ok with sharing here and not there? Thought to ponder...)

Here's the progression of the painting, from start to finish. I know I posted most of this before, but I'm posting it here to have it in one place.

At this point, it needed to be turned...

It was here my husband asked if I started a new painting, he didn't recognize it...

And, done!

Happy Paint Party Friday! Have a great weekend.

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What's going on around The Kat Eye View of the World...

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The Evolution of a Painting: A Thank You to Art

Yesterday I shared a tiny bit about the Do What You Love retreat, but honestly I was a bit at a loss for words. It was easier to let the photographs do the talking. How can you possibly explain the feeling of being in an environment where art and creativity, positive encouragement and infinite possibility are the norm for four days?

Today I thought I would share just a peek at some of what I experienced by showing the evolution of one of the paintings I created in Flora Bowley's class. Through showing you how it progressed through the three days and what I learned, I hope to give you an idea of what it was like. I created three paintings over the three days, and I'll share the other two (one of which is pictured above, in progress) in Friday's blog post. (I have to save something for Paint Party Friday, don't I?)

The first day we quickly learned to get past the "blank canvas" syndrome. Flora's painting technique starts with a lot of mark making. Using foam brushes, small paintbrushes, found objects, fingers, rags and a spray bottle we learned all sorts of ways to make marks on the canvas. We painted with our eyes closed, danced to the music, stopped for yoga stretches, just worked on releasing the tensions and expectations and using our whole body to paint.

One of the more interesting things we did early in the first day is paint on each other's canvases. We rotated around the room, moving from canvas to canvas and Flora would tell us what kind of mark to make. We would practice that mark on the canvas we were at and then rotate to the next canvas to practice a new type of mark. The idea was to keep us from attaching too much to any one thing we painted. It definitely worked! It was very fun to see what our canvas looked like when we got back to it.

We spent the first day building up multiple layers of two of our 30x30" canvases, painting in all of the colors of the rainbow. The idea was to give us lots of possibilities and directions the painting could go in terms of color, shape, subject. Here is the painting at the end of the first day:

Kind of wild, isn't it? I definitely had lots of directions to go with this! I couldn't really see how this was going to evolve into anything "beautiful" at this point. This was the canvas that everyone painted on, so it's fun to know that the whole class had a part in creating this painting.

Here is the image again, rotated 90 degrees, in the orientation of the painting for later comparison. It's interesting how you see different things when you rotate the painting, isn't it? We did a lot of that, working from different directions.

We started the second day by writing a gratitude list and then sketching from nature. Flora encouraged us to look at both the broad vista and the close up for our sketches. We were in a beautiful place to do this! The Yorkshire countryside rolled along in front of us and the trees and flowers were in their spring bloom. She then showed us how she started to use what was working in the layers she had created, plus her sketches from the morning, to bring more out of the painting. She encouraged us to make a bold move, commit to something, not be afraid to cover up what was already there. You have to do this to make room for the new, great things that will come along.

That was probably the hardest lesson for me to learn in this class - covering up what was already there. I seemed to want to keep everything. I mean, what if it became important to the end work? It wasn't until the end of this second day that I finally got this concept. It is only by truly committing and seriously covering up parts of the underpainting that the wonderful layers and textures begin to pop out. You need that contrast. (Interesting, isn't it, that I've been exploring Visual Contrast in my photography.)

My "bold move" to start at the beginning of the second day was to paint the fern across the middle of the painting and then started to fill in around that. The other leaves and circles started to pop out and emerge, so I went with that. One of Flora's mantras was to "go with what's working." Here is the painting at the end of the second day:

The color palette had emerged as mainly cool colors, green, blue and purple. I discovered I absolutely loved painting and mixing the dark and lights with my fingers, you can see that in the greens in the upper left corner. I really liked how the fern and the upper left corner were emerging, but was struggling with the bottom right. I hadn't committed to anything there yet and had been reworking it. By the end of the day, I was just fried. I needed some time away from painting, so that I could get a better perspective and see what to do next. We had an evening off from the activities, so I drank wine and talked with my cabin-mates into the wee hours of the morning.

We started day three with writing an affirmation for the day. Taking a fear, or something we were struggling with, and turning it into a positive statement.  We taped this up on the wall of the painting tent, to remind us during the day if we got stuck. We also started with stretches, and had frequent breaks throughout the day for stretching, dancing, running around the field. Just keeping ourselves loose and having fun. Letting go. It was very funny, when Flora asked us as the beginning of the day if we wanted to start with a demo or if we wanted to just start painting, we enthusiastically answered that we wanted to paint!

When I stood back and looked at my painting in the morning of the third day, I had a very good idea what I wanted to do and just got on with it. I covered up some more of the bottom right area, bringing in the light greens from the upper left, and created some repetition with the black dots. 

I was struggling with the upper right area, the bright red. I liked the pops of red that were throughout the painting from the underpainting but that area wasn't working for me. Flora suggested I pull the red through some other areas of the painting more, with little details. She didn't tell me where or how to do it, just that it would help. What a great teacher! I'm sure she saw some things I could do but she didn't tell me, she let me figure it out myself.

I finished the painting around the middle of the third day. Here is the finished work:

It is unlike anything I've ever done before. It is big, it is bold, it is unplanned. This isn't necessarily my favorite of the three paintings, but this is definitely the one that I learned the most on. I struggled with things and broke through them. Flora's experience, repeated many times to us, is that the paintings she struggles the most with are often her best work. She encouraged us to keep pushing through those barriers we found. To commit to bold moves. Look to nature for inspiration. Move our bodies. Go with what's working. Reminding us that we made the marks that were there, we could always make them again.

It was a very emotional experience for many of us. It's amazing how painting can be so connected to our core self, how much we can each individually struggle and the emotions it brings up. How we can attach ourselves to certain outcomes. How our inner voices can just destroy our confidence. There are so many parallels between painting, or any art, with our life. I learn this over and over again as I continue explore art and creativity. I have learned more about myself through art in the last couple of years than through anything else, ever.

Thank you to Flora, for being such a wonderful teacher. She gave us the tools and lessons but let us find the ways to make our painting an expression of our self. Thank you to my classmates, who provided all sorts of positive encouragement and support for each other along this journey, which was difficult at times. Thank you to Beth, for creating such a wonderful environment at the retreat that we could learn these amazing things about art and life. And thank you to art and creativity, for being the thing that makes me whole.

(Stephey Baker of Marked by the Muse is doing a "Thank You to Art" link up right now. What perfect timing! Visit her site to see more stories and link your "thank you" in.)

Doing What I Love...

Imagine spending five days in the gorgeous Yorkshire countryside, eating your meals in a tipi around a fire.

Staying in wonderful cabins, that feel like part of the surrounding forest, with the best cabin-mates ever.

Sleeping in a heavenly bed, in a room where the art is the natural world outside the window.

Juliette and Carissa

Meeting the most amazing people from all over the world. We didn't know each other, but found instant connections. I felt like I had known these wonderful women my whole life.

Tara

Learning to paint from my intuition with the most amazing artist and teacher, Flora Bowley. Learning to go with what's working, to go bold, to let go of attachment to a specific outcome and see what happens.

Finding my heart, in the midst of it all.

I got back late last night from the Do What You Love retreat, and I'm still processing all that went on. It was so, so wonderful! I will share more over time. Over the next few days I'll be getting caught up on the Liberate Your Art Postcard Swap, adding new participants to the link list. The swap is now at 172 participants - so close to my goal of 200 - thank you all for your help!! I will also be visiting the many people who have linked in to Exploring with a Camera: Visual Contrast in the last few days, you still have a day or two to link in if you would like to share your image. 

I'm full to bursting with all of the positive energy that happens when you get 40+ people together, all doing creative things they love. Who knows what will come out next...

(Linking in to The Creative Exchange and Creative Every Day today.)

My Day in the Sun

This image holds such a warm memory for me. As I shared the other day, I woke up before dawn this morning and watched the sunrise. I loved how the sun spilled over the edge of the mountains and clouds, and was happy to be able to capture the moment. It was such a warm morning, I sat out on the balcony in the sun and wrote my answers for Diana Mulder's interview series "Women Who Create Beautiful Things" which is posted on her site today. You can read about how I ended up in Italy, found my passion for photography, and what's coming next for me.

It was a great experience to do this interview! I was nervous at first to put myself out there in this new way, but answering the questions helped me look at my story from a new perspective. Since I have enjoyed Diana's art and her blog for nearly a year, I felt as if I was talking directly to her as I wrote.

Diana and I met during Kellie Rae Robert's Flying Lessons course last summer, and connected to each other's art immediately. Early on, she had looked at the photographs on my blog and asked me if she could paint this image of my son Brandon on the Oregon Coast.

I had forgotten about it until Diana sent me the list of questions for the interview, and attached her mixed media version of this image. I love what she did with it! She created a wonderful interpretation with the addition of the red and brighter colors. I also love that this painting links our art together, gives us a connection we wouldn't have had otherwise. This is how artists inspire each other!

I hope you visit Diana's blog to read the interview, and then stay a while to look around at her wonderful art! 

Lessons from Abroad: Change up Your Schedule

I am off to Spain and Portugal this week for vacation so I decided to schedule some posts. I recently wrote a series of articles entitled "Lessons from Abroad" for a friend's coaching newsletter and blog about lessons I've learned from my experience living in Italy which helped me find my passion and purpose. I never posted links to the last two articles here, so I decided to repost all of the articles this week to give them a home on my blog as well as share them with you.  Enjoy!

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Lessons from Abroad: Change up Your Schedule

Imagine… dropping out of your normal life for a couple of years, having the chance to completely immerse yourself in something new, and reevaluating your direction in life. And then, when it’s all over, come back to where you started again.

That’s where I am, what I’m doing - living and working in Italy on a two year assignment. Two years ago, my corporate management job led me to a project that would require placing people on temporary assignment abroad. I was to be the hiring manager for two positions, yet after my first business trip to Italy, I found the growing urge to apply for the job myself. Fast forward a few months of family decisions and applications and interviews, and I had the job. Months of immigration applications and paperwork and waiting and waiting later, and I had moved to Italy.

Now what? The plan: Learn to live in Italy with my family. Work. Travel. Then come home a little wiser about the world and ready to take up my career track again. I was all set. But life has a way of surprising us, and I couldn’t have been more wrong. What I’ve discovered in my time in Italy is my true passion, where my heart and purpose lies, and it’s not the management chain in a corporate job.

How did this happen? I wasn’t really looking for this, at least not at the beginning. But somewhere along the way, the changes I have made in my life while living abroad have led me to find something new. I’ve learned to follow my heart, listen to my intuition, and it’s been amazing what I have learned about myself. The move to Italy has, first and foremost, made me more aware: Aware of my surroundings, and how they affect me; Aware of the limitations I have been putting on myself; Aware of the choices I truly have, if I let myself be open to possibilities.

You might be thinking, that’s great and all, but how can translate to me? I’m not ever going to live abroad. I don’t have any plans to just pick up my family and move for two years. I can’t risk the stability of my job, my life, my family in order to seek my path in this way. But I believe that there are some key things that moving to Italy has done to increase my awareness and my ability to understand myself, and it’s not all about living in another culture. I have boiled it town to five things that anyone can do, no matter where you live or what you do for a living. In practicing these you can open up the possibilities, become more aware, and find your true path that lies somewhere deep within.

Over the coming days, I’ll go through each of the five, explaining why these have worked for me and some ideas of how you can use them too. The first key I’ll share today, starts with finding your creative time: Change up Your Schedule

My job in Italy requires an altered work schedule. I still directly work for an organization on the west coast of the United States, with a nine hour time difference from where I live. This means that I have to work both on site in Italy and on the phone back to the US on a daily basis. On one of my early business trips, before the move, I realized that it’s easy to work two full work days in this situation – head into the office in the morning, wrap up the day up with teleconferences in the afternoon, and then, in the evening get on the computer for more work at the same time everyone back in the US is working. While that was sustainable for a week long business trip, that just wouldn’t work for me and my family over the next two years.

The schedule I practice to limit the “two work day” situation is this: I work afternoons, from around noon to six, in the office. Then I head home, have dinner, hang out with my family, do my personal things, tuck my son into bed and get back online and on the phone for a couple of hours of work with my coworkers in the US. This may sound awful, and it certainly makes for short evenings, but the side effect is the most amazing thing - it has freed up my mornings.

I am a morning person, I always have been. I like to get up early, have my quiet time before getting into the day and interacting with people. The morning is also my creative time. Ideas come more readily, I have creative energy and everything just flows. For the first time in my life, on a regular basis more than the weekends, I now have this creative time every day. To do what I want. Read what I want. Journal. Explore and play creatively. Go for a walk.

When I spend my mornings this way, on my creative endeavors and activities of choice – I find that I am refreshed, balanced and ready for the rest of the day. I am able to disconnect with all of the stress that my corporate job brings. I also have found that I have all sorts of ideas that come to me in the morning, along with the time to explore them. I can search for more information, try out something new, build a plan.

The irony is, I’ve always known mornings were my creative, productive time. For years I’ve gone to into the office early in order to have this time to get my best work done. Then I would leave in the afternoon to get home early and spend time with my family, but I never felt creative in the afternoon or evening. It was more about recuperating from the day and getting to bed early so I could do it all over again. By managing my schedule this way, I contributed at a high level to my organization, but the sacrifice was that I was giving my most creative energy to the company. I didn’t have that much left over for me.

Where you spend your creative energy is important. Having some creative energy to spend is one of the keys of finding yourself. How can you find your true path if you don’t have the energy to explore ideas? If you don’t have the open time to imagine, build up and evaluate the dreams that come to you along the way? I had never thought about those things before this change in my schedule, but it makes so much sense now. It’s important to understand what your creative energy schedule is, and then look at how and where you are spending that energy. A simple change in schedule can reap huge rewards.

Now that I’m not spending my most creative time at work, you may wonder if my job performance has suffered. The answer is, really, no. Work takes a different part of my brain, and when I’m working I’m there and focused and productive. I work the same number of hours; I have the same amount of time free as before – it’s just when. I honestly don’t think that anyone at work has even noticed there is a change. The difference for me personally is huge though - I can now disconnect from work, use other parts of my brain, and am more centered. I think this ultimately makes me a better employee, and it certainly has made me a more pleasant person to be around for my family, friends and coworkers.

Here are my ideas about how you can apply this key concept of “Change up Your Schedule” to your life too:

• Figure out your most creative, productive time of day. I think we might all instinctively know it, as I did. If you are not sure, keep some notes, check in with yourself. Try out some different times of day as “free.”
• Then, work toward carving out some or all of that time for yourself. Can you rearrange your work schedule? Can you schedule a meeting with yourself? Get out of the office and go for a walk? Start with just a day or two a week, and work up. You don’t have to explain it to anyone else, just do it, if you can.
• When you get that time, don’t waste it. Use it for things that build you up in some way – engage you creatively, working toward some dream or goal that you might have. That might be as simple as reading a book that sparks your interest or searching out websites that help you in some way. But use that time for you, not for anyone else. You will be surprised what blooms in the garden of time and creative energy that you create.

For me, the next challenge will be protecting this time when the assignment is over, I move back and have to adjust my work schedule again. I’m already strategizing on how to do this. It will mean changing things up from what I did before, and I will have to work through and reset expectations of those who have worked with me for years. But now that I know this important key, this secret to harnessing my creative energy, I’m not about to give it up.

(Photo is from Bologna, Italy)

Abstraction

In my time here in Italy, as I've explored art history and art museums so much, I've learned to really notice what art calls to me in some way. I've discovered it changes over time, as I change and grow. On this trip to Paris I found myself drawn again and again to abstract art. Art that explores color, form and composition separate from representation of real life. Especially bright, luminous colors. Vassily Kandinsky, Paul Rothko, Sonia Delaunay and Robert Delaunay (pictured here, in the Musee National d'Arte Moderne) were the artists whose works captured me repeatedly.

What does this mean for my art, my view of the world? What does the appeal of color and form and abstraction tell me? I don't know now, but I do know it will show up in some way. All of these explorations become fodder for my own creative endeavors, and the art that calls to me gives me the hint of the direction I will be heading. It should be interesting to see where I go next.

You've gotta have your "Guys"

Today's post is a bit more of a cultural lesson, something suprising we've learned about living in Italy. Many of the neighborhood businesses around are small family-run businesses. When you shop at the same place a few times, you find that you see the same people, and they get to know you. And a remarkable thing happens when they get to know you, they treat you like an old family friend. They give you discounts, freebies, extra items because you are a regular. And they become your "guys," the ones that you know you can go to and get a warm welcome. You go back even if they don't have the absolutely best food or the best prices, because you are part of things now.

Case in point: Today I went to the art store I always go to in Monza, Colorificio Manzoni, for some new paints and brushes. I first went to this store about a year ago when I wanted to start painting in acrylics. I knew nothing of painting in acrylics, even less of how to ask what I needed in Italian. My English-Italian dictionary was of little help. The owner called his son in (from home nearby, presumably) because he spoke some English and could help me. They got me hooked up, and I've been going to them ever since. They remember me every time, and now I can talk with them in Italian a bit and even know the names for what I want. And every time they add up my purchase, they knock off a few Euros. (Today I stole the paper just to prove it!) They're my art guys.

This is not unique to this store or these guys, that's what is amazing about it. This is Italy. We get heaping gelatos from our gelato guy, at least one size bigger than what we order because he piles it on top. Patrick gets free meat from the butcher at the local market because he knows he's an American and wants him to try something new. Can you imagine that at your local Safeway? I can't. In our giant box store, inventoried and always balancing American culture that just wouldn't fly.

It's just one of the amazing and wonderful things about Italy. I don't think you could ever get this experience quite this way without living here, and it consistently amazes and delights me while also making me a loyal customer. So, if you ever find yourself in Monza, stop in at Colorificio Manzoni on Via Manzoni 54 and say hi to my guys.

Impressions

The Musee d'Orsay, the museum of Impressionist art in Paris, is one of the best museums there is. Such an amazing collection of paintings and artists in one place. I identify more with modern art, like the Impressionists, than the classical art of the Rennaisance and earlier. Part of it is the subject, but part of it is also the style. My personal philosophy of art is that it should capture the artist's impression of the thing, not the reality of it. If we want reality, we can do that with photography these days. I love brushstrokes and color and the emotion that the image can evoke. This was the perfect museum for me!

Bright

In the mood for some color and sun today, so I pulled out this window box photo. It's one of my early ones here, from Pavia, and also one of my favorites. I love the unique flowers, that were matched perfectly to the building color. This was in a back street, not a normal thoroughfare, yet there was this attention to beauty and detail. I keep saying this, but this is something that I love about Italy.

Yesterday, I went to see an exhibition of paintings and drawings by American artist Edward Hopper at the Palazzo Reale in Milano. It was fabulous, he was an amazing painter of light and of unique American scenes. They compare his work to a "photographic view" so maybe that's why I resonated with it so much. My favorite painting in the exhibition was Cape Cod Sunset, but this image doesn't do it justice. The sky was the perfect rendering of the rainbow dusk sky that I've always loved. One thing I've learned about works of art, is that seeing them in a book or online is not the same as seeing them in person. The color, the texture, the feel is completely different.

It's interesting that I discover this wonderful American artist in Italy, but I guess that's just part of my rediscovery of art here. If you have a chance, take a look at some of his work. Or, maybe go see some art in person somewhere, to have your own artistic discovery. Happy Sunday!